oil on canvas, 54ins x 44ins, 1370mm x
1120mm.
An ancient sessile oak wood in a valley in central
Wales.
|
|
walk to site
: I came across a small waterfall in a wooded gorge.
Looking up, water came out of a green sky, split, spread out in
bright broken light and dissapeared behind rocks below.
The following year I went back to start a
painting.
|
|
| |
|
|
|
|
 |
|
two global colour studies
|
|
|
|
video clip, global and local
colours : Each colour we see is
effected by the colours in its locality. For example a grey looks
pinkish next to green. But as we look about a scene we also compare
colours that are distant from each other.
colour perception is
dynamic: every area has a range of possible colours
- it all depends on the movement of the eye. To bring some of this
richness to the painting, I make two sets of studies, global and
local.
Two or more studies for the same area means there is more than
one colour available for unique things. This conscious interest in
the instability of colour perception can be traced back to Cezanne.
I think it can be taken up again to refresh our sense of seeing
nature.
|
|
|
| |
|
|
|
four local colour studies
|
|
|
|
|
local effects
: looking into the scene to pick out local colours
and events
|
|
|

first underpainting on canvas
|
|
|
|

buliding up glaze
bases

|
|
|
|
base for darkest colours.
|
|
|