oak wood water

oil on canvas, 54ins x 44ins, 1370mm x 1120mm.

 

An ancient sessile oak wood in a valley in central Wales.

 

walk-to-site-poster_001.jpg

walk to site : I came across a small waterfall in a wooded gorge. Looking up, water came out of a green sky, split, spread out in bright broken light and dissapeared behind rocks below.

The following year I went back to start a painting.

 

 

 

 

 

 

     
global1small.jpg   

 

  

 

 

 

 

 

 

 

 

 

global2small.jpg

two global colour studies

 

   

video clip, global and local colours : Each colour we see is effected by the colours in its locality. For example a grey looks pinkish next to green. But as we look about a scene we also compare colours that are distant from each other.

colour perception is dynamic: every area has a range of possible colours - it all depends on the movement of the eye. To bring some of this richness to the painting, I make two sets of studies, global and local.

Two or more studies for the same area means there is more than one colour available for unique things. This conscious interest in the instability of colour perception can be traced back to Cezanne. I think it can be taken up again to refresh our sense of seeing nature.

 

 

 
global-poster.jpg
     
local2.1smallcopy_000.jpg local2.2smallcopy.jpg local2.3smallcopy.jpg local2.4smallcopy.jpg

four local colour studies

 

   

 

 

 

 

 

 

 

 

 

 

 

studio

local effects : looking into the scene to pick out local colours and events

local-video-poster.jpg

OWW.72dpi.jpg

first underpainting on canvas

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

OWWsmall.JPG

buliding up glaze bases

 

 

OWWF4.jpg

 


 

 

base for darkest colours.