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Furnace falls

oil on canvas, 1830mm x 1190mm

 

 

In the 1750's in central Wales a furnace was constructed next to a waterfall to smelt iron ore with fuel from the local woods. A waterwheel drove huge bellows, pushing oxygen into the blast furnace. The edge of the top of the fall was raised slightly to create a reliable feed pool above the wheel.

This visible, raw harnessing of nature in the landscape is a feature of the early industrial revolution in Britain.

 
 

video clip : head on, the fall has a striking shape that makes it look like an emblem. The effect is stronger if you climb down to match your eye level with the middle of the fall and then to the middle of a study.

I scrambled down the rocks and worked from a ledge. All I heard was the sound of water.

Oil studies

Made on bright, overcast days in summer with the fall in medium spate with clear water showing a big range of coloured whites and greys. This study records colours recurring over several visits:

 

 

studio

 

 

 

 

about half way to completion

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photography

A set of spot-metered photos were taken, some for light areas, some for dark. Human eyes quickly adapt as we look from dark to light, but a single photo has only a single exposure; so several exposures are needed to account for the appearance of a scene with contrasting areas of brightness like this one.

Different exposure times were also used to give options for painting the range of sharp or blurred passages of water that we experience.

 

digital colour-texture analysis

The distribution of selected colours are anaylsed using a digital colour selection tool. Colours from the oil study are then mapped onto these selections. The distribution of similar colours in nature often creates a colour-texture, which can help us see complicated things more clearly. Printouts of digital colour selections are used as a basis for painted colour textures. Below are examples, printed to a black background to make the light tones easy to read: